Wednesday, February 17, 2010

Writing About Love for the AWWC Blog Chain

We are the 6th in the chain before us are Aimeelaine, Charlotte49ers, AuburnAssassin, Breddings and *RomanceWriter*. The rest of the participants are listed below I encourage you to follow the provided links so you may see what they have written. Here now our contribution this time written by Simone for Claire is grading exams.
L'Infranchissable Obstacle by Wojtek Siudmak

I'm for the most part a character writer, so I find my lead [hero/heroine] then my story flows from my understanding of who he or she is. This works well for a romance if the protagonist cooperates, only they don't always. Hence...

The Spectacle or The Absurdity of Courtship in Print When Your Heroine is a Wise-ass

Let me set the stage. England 1820. It's early morning and first light is consuming the last of the remaining night. A tortured young woman, unable to sleep, emerges from the side door of an ideal Dover cottage and descends the cliffs through a familiar path for the beach where she will watch the sunrise.

In the distance is a man, running on the beach barefoot with his magnificent horse at his side. He is beautiful, golden mane flowing in the wind, his Greek-god body moving effortless towards her and the presence of the animal there obediently at his side adds irresistibility to his mystique.

The female lead all but swoons when he stops in front of her and offers up a slow charming smile. They are old friends. She is, of course, well out of her mind in love with him, and how could she not be for Christ’s sakes? The man is a beast of a romantic ideal. There with his horse, smile and body.

We have arrived at the spectacle bit to which I was referring to in the title.

The two share a meaningful exchange on the state of the world, literature, art or whatever it takes for the reader to get their sigh on, then he kisses her. It is soft, passionate, tender and masterful… in a word, perfect.

Now, my dilemma for this is about the time when my heroine mocks him for falling victim to the romance of the setting.

Absurd, yes, I see that for I write romance and having my heroine be a cynical wise-ass does not serve my end or hers for he gets irritated then rides away on his magnificent horse leaving both of us in a lurch. Now, I’m swearing to anyone who will listen that I’m going to drown her in the icy waters off the coast of Dover if she doesn’t shut up.

My love, my care,
Simone

PARTICIPANTS:
Collectonian - http://collectonian.livejournal.com
FreshHell - http://freshhell.wordpress.com
David Zahir - http://zahirblue.blogspot.com/
Harri3tspy - http://spynotes.wordpress.com
Sneaky Devil - http://sneaks-myfantasylife.blogspot.com/
Frodo - http://annvevera.blogspot.com/
Upsidedowngrl - http://noellenolansblog.blogspot.com/

Tuesday, February 16, 2010

Over the Top for You

I was give this lovely award by Emma Michaels. My thanks to you Emma. I'm grateful. Now I pass it on to 5 the most talented Ladies. Each will delight I promise.

The super cool award.


Some rules are attached to the award and here they are: Answer the following questions using single word answers. Then pass the award to 5 other people and let them know.
My 5 Brilliant Naminees:



Violetta


The list:

Your cell phone? HEAVENLY

Your hair? SIGH

Your mother? DIVINE

Your father? Extraterrestrial

Your favorite food? HMM

Your dream last night? Nirvana

Your favorite drink? Ambrosia

Your dream/goal? PUBLICATION

What room are you in? Temple

Your hobby? Leisure

Your fear? monotony

Where do you want to be in 6 years? Paradise/ St Barts

Where were you last night? OUT

Something that you aren’t? sanctimonious

Muffins? heavenly

Wish list item? PUBLICATION

Where did you grow up? Earth

Last thing you did? Bliss

What are you wearing? Halo

Your TV? FoodnetworkCanada

Your Pets? PLANT

Friends? ANGEL

Your life? BlissfulYour mood? agreeable

Missing someone? Angel

Vehicle? Bentley Ha ha!

Something you’re not wearing? Diamonds

Your favorite store? ST. Lawrence Market

Your favorite color? Grey

When was the last time you laughed? Now

Last time you cried? Now

Your best friend? Sister/Angel

One place that you go to over and over? St Barts

Facebook? no

Favorite place to eat? PARADISE.
My thanks to you all,
Simone

Monday, February 15, 2010

Character Development


What I do when I'm not able to write.


Right. So far I've always know who the main character is before I put pen to paper and then I come to who the other is based on the sort of person I feel would fit well with him or her. To get to this, I’ve used astrology charts, social compatibility and every available socio-psychological mating data in the book.

If he’s a fixed sign then I make her mutable and I never make it so they are from two different worlds for I think it’s imperative for them to relate with one another. I’ll give you an example: in my novelette Westmorland for Harlequin, the hero marries his mother’s companion and though they may sound worlds apart, I made it so they share a decade long friendship.

Common ground, chemistry and proximity. Those are my characters' foundation. I’ve tried writing those opposites attract stories but they always read as rubbish in my hands so I leave them to those more able.


Happy Monday my angels,

Simone

Sunday, February 14, 2010

My Love of Art is Due to the Influence of this Woman

For that reason Evelyn de Morgan is One of my 100

Mary Evelyn Pickering De Morgan, was a late-Victorian artist. Born mid-century in an England ruled over by Queen Victoria. She came to maturity during the unrest of 1914 and it was at this time she developed her personal and artistic philosophies. Throughout her career as a painter, she used literary allusion and allegory to express her strongly held views on contemporary spiritual, social and moral issues.

Eos

Evelyn first exhibited her work at the Dudley Gallery in 1876 with her painting St. Catherine of Alexandria. Following this, she was one of the few female artists invited to be an exhibitor at the new Grosvenor Gallery in 1877 where her painting Ariadne in Naxos was displayed in the company of works by Spencer Stanhope, Edward Burne-Jones and George Frederick Watts.


Boreas and Orietyia
In the early 1880s, Evelyn moved her studio from her family home in Bryanston Square to the popular Trafalgar Studios in Manresa Road, Chelsea. During this period, she lived as a professional artist in London with periodic trips to Italy where she would absorb the influences of the early Italian masters.

Medea
Some time during the mid 1880s she met the ceramic designer William De Morgan (1839-1917) and his family. This introduction to the bohemian and intellectual De Morgan family was clearly a turning point in her life. Her future mother-in-law, the spiritualist and social activist Sophia Frend De Morgan (1809-1892) became her informal mentor, helping to further develop the younger woman’s interest in spiritualist practices and in social reform.
In 1887 Evelyn married William De Morgan. Despite the age difference theirs was a harmonious and mutually supportive marriage. In addition to their artistic pursuits, they shared a well-documented sense of humour and an idealistic spirit.

The Love Potion
During her lifetime Evelyn De Morgan produced approximately 102 oil paintings and over 300 drawings. At first glance, works like Harmonia and Eos appear to be that of a typical mid-century literary painter influenced by the work of Spencer Stanhope, Watts and Burne-Jones. Consequently, this was the way in which most contemporary critics assessed her paintings: Many do reflect the usual conventions and literary subjects of late Victorian art with its Pre-Raphaelite traces and neo-classical tendencies. However, looking closer, one discovers Symbolist works that employ the language of Christian allegory to reveal the artist’s engagement with the contemporary issues of her time.

Harmonia
The nexus between spiritualism and feminism during the late Victorian era influenced Evelyn, as well as her fellow female artists. She sought new heroines with which to construct her own images of Victorian womanhood. Hence, she painted portraits of strong-minded biblical and classical women such as Ruth and Naomi, the Virgin Mary, Medea, Ariadne, Cassandra and Helen of Troy.
In addition to these portrayals, Evelyn sought a new heroic female type, which could embody spiritual empowerment. As a result, she discovered the early Christian saints, especially virgin martyrs, drawn from books such as Anna Brownell Jameson’s The Poetry of Sacred and Legendary Art (1848-1864).
For Evelyn, who had struggled to overcome the limitations of gender and class to find fulfillment, the figure of the female martyr seems to have become a particularly apt symbol of feminine spiritual power and social responsibility. Consequently, she created paintings such as St. Catherine of Alexandria, A Christian Martyr, and St. Christina Giving Her Father’s Jewels to the Poor, which tell stories of heroic female resistance, struggle and triumph.
Evelyn was not content to merely illustrate the lives of the saints: Using the virgin-martyr as a kind of personal icon for spiritual and artistic freedom, she devised other more personally expressive allegories such as The World’s Wealth, The Thorny Path, and The Gilded Cage, which feature women at moments of existential crisis.
Evelyn and her art is worth knowing. I love her dearly and hope my post here today introduces her to at least one who has never had the pleasure.
A Romantic Saint Valentine's Day to All.
All my love,
Simone

Friday, February 12, 2010

“Funny How a Broken Heart …”

A sort of troublesome thought to have here but days from Saint Valentine's Day.


Matthew is the absolute worst sort of husband for he, you see, is a romantic who has allowed is ideal to be overrun by tidy expectation. The poor dear is an involved doting parent of three, and a faithful, devoted partner for what is going on twenty years, but that is all. Matthew is not and never has been in love. He adores his Kate and would never do anything to upset his comfortable existence. Why even now, as he stands in front the charming smiling children’s librarian asking after his wife and children, he does not even entertain the thought.

He never bothers anymore to wonder if love was possible for him. Kate had gotten pregnant when he was twenty-five and though he had not been a man in the way, say his father had been at that age, he was no longer a boy. He had been moving in the world of the adult male for three full years by then, working full-time as a junior executive in a promising commercial development firm and dating aggressively.

Kate had been the pretty girl who helped him pick out a smart brooch for his mother’s birthday at Tiffany’s on Bloor then spent ten minutes teaching him to tie a regulation Tiffany-bow before giving him her number. They hadn’t been exclusive when their Christopher was conceived but neither was there some woman to whom he felt a strong connection. Not to mention that she fit well into his life so marriage.

He rambled on to the charming librarian about how their eldest was at McMaster University and how the middle boy would follow him there in autumn. Then he flushed red with embarrassment when the librarian confessed how she and the girls at the reference desk used to look forward to seeing him all those years ago when he used to bring the boys in on Saturday mornings for the story hour.

It was the thing present in his mind when Kate sat him down later on that very evening and informed him that she was not happy and wanted out. Not because he thought he could pop over to the library and drown his misery in the charms of the children’s librarian, but because this was another thing he never bothered wondering about anymore. He always assumed that Kate at least was happy with his sacrifice.

Yet there she was, wanting more.

Their youngest would graduate from high school in less than two years and Kate wanted for there to be accord in their parting. That and she wanted it done by the time all three boys were settled in university. It struck him then how she kept talking about them as if their life together was already in her past. Still more than that was the way she kept saying that one of them should keep the house for when the boys come home for holidays, as if she wanted him to volunteer to be the one who stayed under the burden.

Then quite suddenly, it was all too much for him to bear. She was leaving him to search for happiness. There wasn’t someone else. There was nothing but her desire for something neither of them had experienced in a loving enough twenty-year marriage. She wanted a love that transformed and delighted, but more than that, she was willing to give up comfortable contentment to get it.

Was she being arrogant?

Absolutely, and Matthew told her so. She fired back with some nonsense about there having to be more to marriage than gratitude to the fellow that had grace enough to offer her marriage after he had knocked you up and how she wish it hadn’t taken her two decades to realize it.

Matthew rose in the midst of her telling with disbelief on his face not really understanding why he was taking it so badly. Then he was yelling something about how marriage was meant to last until death, hoping in futility to reminding Kate - in some desperate attempt at God only knows what - that there was no mention of 'until the children are old enough for college' in their vows. She laughed then with real compassion before saying, “You are a good man Matthew, and you deserve more than what we are able to give each other.”

A lovely weekend to all,
Simone

Thursday, February 11, 2010

RAVENSWORTH VI and Epilogue

Chapter One, Two, Three, Four and Five my thanks to each of you for your continued support.
.
The Painter's Honeymoon by Frederic Leighton

Chapter Six

Jaclyn woke an hour later, Eli still asleep in her arms, Tessa at the side of her bed with whispered hush.

“You must rise at once. Lady Charlotte is here to see you.”

“Have I been very indiscreet?” Jaclyn asked with a gentle hand over Eli’s sleeping hair.

“I’ve seen to you,” Tessa assured her. “No one but I know that you’re here but you must hurry if you want it to remain thus. I’ve put his clothes there. You come to the dressing room once you have roused him and I’ll make quick work of your appearance.”

“Tessa…”

“I know pet, now hurry,” her old friend said with understanding smile before hurrying off to the serviceable little room pulling up the door discreetly as she went.

Jaclyn pressed her lips to Eli’s ear and whispered his name over endearment, “Eli it’s time we rose.”

He stirred, but only to nestle his body closer to hers and sigh his contentment. She increased the octave of her call to action while dragging her lips over his brow and shaking him with sure hand. Then he with eyes still shut, tightened his hold on her, his voice a sweet rumble as he said, “Have mercy, my love, I’m bone weary.”

Jaclyn’s heart took flight at the endearment though she knew he more than likely did not mean his love in the sense in which she felt it in fact, she would be surprised if he was dreaming of someone else altogether. Then he snapped open his eyes as if suddenly aware of where he was and said, “What’s the matter my sweetheart?”

“Charlotte is awaiting an audience.”

“You’ll have to send her away,” he purred and kissed her deeply before lifting his lips to add, “You’ve melted all my bones and rising is now an impossibility.”

“But you must,” Jaclyn said frantically, “For I do not trust myself to face her alone. Besides, we have been very reckless and my parents have already found us here in this bed together. Another time will more than likely kill them.”

“And that because of Charlotte for whom you want me to rise.”

“Be reasonable, sweetheart. Besides, I’m very nearly happy and she has done it.”

“As am I and she won’t like being surprised,” he said with devilish grin.

“Yes, I know,” Jaclyn with a wicked smile all her own. “Shall we go give her treacherous little heart a start?”

“After you.”

A quarter of an hour later, the two re-entered the little salon via the secret passage before exiting for the hallway leading to the grand salon at the front of the house. When they entered, Charlotte was perched prettily on one of the sofas at the centre of the room. Dressed to advantage in her signature pink, her pale locks in intricate coiffure atop her beautiful head looking for all the world the perfect lady.

She smiled in the way of one without a day’s worry then said, “I will not be chastised when I’ve done so great a service to you both so I’ll thank you to smile at present.”

“She has nerve, I’ll give her that,” Jaclyn said to Eli.

“Now, my dear,” Eli said with accommodating smile, “We should at the very least sit and allow her the opportune to tell us the service she has preformed on our behalf.”

“So long as you entertain no hope of my repentant tears,” Charlotte said as the two sat on an identical sofa facing her.

“Your rueful tears, I have no doubt, will come once you settle into marriage with my now scorned dependant,” Eli said with matter-of-factly.

“Is his presence here entirely necessary?” Charlotte demanded of Jaclyn.

“You, my lady, are a guest in my home and his grace is your better,” Jaclyn said with bite, “And you would do well to conduct yourself in accordance.”

“So I’m to be made to suffer your temper now I’ve made you a duchess,” said an undaunted Charlotte.

“Why are you here Charlotte?” Jaclyn asked bluntly.

“To secure my future and that of my family, which will now incidentally include you both once we’ve all married our intended others.”

“The devil you say?” Eli said with easy menace.

“You will mind your language with me, your grace, for in spite of it all I’m the daughter of an earl and will in two days marry the grandson of a duke so I’ll thank you to remember it when next you address me,” Charlotte said with dignity.

“She goes too far,” Eli said with murderous calm.

He had had his fill of the proceedings and was fully ready to demand that Charlotte leave when Jaclyn took charge of the interview.

“Now Charlotte, I encourage you to say what it is you intended and I ask you to measure you words with care not to provoke overmuch.”

“I did not come here to mind your feelings but to make clear to you the hardship I’ve been made to suffer on your behalf,” Charlotte said irritably.

“You suffer?” Jaclyn asked incredulously.

“Yes, me, and all for your lack of propriety, have you any idea what I’ve had to endure while you were off gallivanting in France?”

“You see here –”

“I’ll have my say,” Charlotte said with a staying hand. “I’ve loved Brian my entire life and would have long ago married him had you not allowed that silly painting to fall into this one’s hands. Do you know how Ravensworth and I came to be engaged?”

“I had no more control over that instant than you,” Eli said defensively. “Besides we were both aware of all the facts going in so for you to now use it as justification for what you’ve done here is disingenuous.”

“I owe you no explanation so I’ll thank you not to pretend injury me,” Charlotte countered. “You have fault here and well you know it. You put that portrait on display and then goaded your grandfather into cutting off your own parents by insisting you would marry her.”

“Is that true?” asked a bewildered Jaclyn.

“Oh, it is, but his grandfather got wind of it and forced him into offering for me by throwing their entire family into chaos. Tell her how he cut you off and when it did not work how he extended the punishment to your parents and all the cousins.”

“I couldn’t believe he would continue to hold then prison to his will in order to punish me but they became desperate and then the pressure had been tremendous,” Eli offered.

“Yes, and you convinced me to go along until you found a solution only to leave me in wait while you went off to God only know where to make your own fortune. You squandered my youth without care or thought and had your father not died heaven only knows what would have become of me,” Charlotte charged.

“But I’ve been home nearly two years and I’ve given you full leave to marry where you choose.”

“My parents expected me to marry you and not even rumours that you murdered the old duke had deterred their want so you see I had to take action to facilitate my own end.”

“We were friends a lifetime Charlotte, you could have come to me,” Eli said.

“I did come to you but you were reeling from the death of your father then your grandfather died so suddenly and it became impossible. You kept talking about doing what was best for the family.”

“Alright, you didn’t feel you were getting through to Eli so why didn’t you come to me?”

“Eli is it?” Charlotte all but yelled. “A hundred years our families have been acquainted and for five of that I’ve been engaged to you yet you have always been Hastings or Ravensworth to me. It says something to me that after but a day’s acquaintance you should allow her such a liberty.”

“It comes from having shared an ordeal,” Jaclyn said defensively.

“For you perhaps but it’s been long held knowledge in his set that you are his ideal and have been since he came upon that cursed painting,” Charlotte said with bane.

Jaclyn looked to Eli and he without meeting her eyes said to Charlotte, “You and Brian have my support. Now go.”

Charlotte rose gleefully her attention squarely on Jaclyn and said, “You’ll forgive me won’t you Jack?”

“I’ll need time,” Jaclyn said her mind elsewhere as the petite woman rushed forth and kissed her cheek.

“I love you both and in spite the seemingly selfish nature of my conduct you must both know that I only meant what was best for us all,” Charlotte said before offering Eli her hand so he could see her out.

Eli rose and saw the troublesome lady out the door where she whispered to him, “Be patient with her and in time she will come to love you.”

“Goodbye Charlotte,” was all Eli could manage without strangling the smug little agitator before closing the door in her face and returning to Jaclyn’s side.

The two sat by side without word for a few heartbeats then Jaclyn took hold his hand and asked, “Would you like to talk about it?”

“I haven’t the words.”

“So the things she said…”

“Are all true,” he said with sad vulnerable smile his face straight ahead terrified to look at her and see disgust or worse pity.

“You loved me without having known me?”

“I saw you as you intended, you know. It wasn’t just that you were beautiful it was the certainty and answer in your eyes that made me question. I wanted to know what it was you were looking at that made you smile so.”

“Could it not simply be an infatuation,” Jaclyn asked desperately. “A sort of fascination with a naked stranger...”

“I understand there is a degree of distress to be had in hearing that someone you only just met believes himself in love with you but to presume I don’t know my own heart,” Eli said with injury.

“It was not my intent to wound, you know,” she said turning to face him. “It’s only I worry I won’t be able to live up to the image of me you have conjured from my idealized painting of self.”

“Impossible,” Eli said turning now to face her, his heart in his eyes, “For you have from the very first moments of our acquaintance exceeded every expectation.”

“Yes but those were extraordinary circumstances,” she said fretfully, “And it’s only natural for you to feel gratitude.”

“What of our clear attraction and the easy way with which we relate?”

“You’re very handsome. What woman would not be full of lust at the sight of you? Besides, we share an affliction which makes commiseration appear deeper than it may actually be,” Jaclyn offered reasonably.

“The idea of loving me is new to you and I don’t expect it to be on par with what I feel for you but I would hope you could respect what it is I feel for it is after all genuine and long won.”

“You are not afraid I’ll disappoint you?”

“I can’t see the point in it with you here fretting about my wellbeing. Not to mention that I’m convinced you’re already in love with me,” he said with a confident smirk.

“Oh, is that right?”

“Do you deny it?” he asked his voice holding a challenge.

“It terrifies me.”

“You know I believe it aught to,” he said with gentle hand on her face, “If only to stop us being reckless where we love, but I will take care. You have my word.”

Jaclyn swallowed over the emotion forming in her throat then said, “Spend the day with me.”

“Gladly,” Eli said with a suggestively raised brow and kissed her passionately. Jaclyn kissed him back with a happy smile.


Epilogue

The two spent the afternoon in a private upstairs salon exchanging stories of their childhood while she, with charcoal and sketchpad, made a study of his face in between bouts of passionate kisses. By the time the sun had set outside, her parents’ home in St James she and Eli were well in love.
They had supper with her parents then they played together at the pianoforte until her parents said their goodnights and then they stole away to her chamber and made love until the sun rose on their wedding day.

On their tenth wedding anniversary, the two, in homage to their lovely beginning, recreated that very day at her parents home in St James Square.
The very best to you all,
Simone

Wednesday, February 10, 2010

Men of Letters, This Time a Romantic Poet and a Brilliant Satirst


I have a tendre for dear Percy and a great admiration for the clever Peacock.

Percy Bysshe Shelley by Alfred Clint

Percy Bysshe Shelley is for me, the truest of romantics. His works are ripe with his talent and spoke of a genius born out his search for elusive ideal. The silly thing could have been said to be in love with being in love but his misery made for stunning poems. He was meant for a different time, perhaps 1969 when free love reigned for our dear Percy did not understand sexual possessiveness. He eloped with Harriet Westbrook when he was nineteen and she sixteen only to elope with Mary Wollstonecraft Godwin while still married to Harriet. He was a fellow plagued with bad judgement who came to a tragic end shortly before his thirtieth birthday. Percy's work is worth knowing.

To a Skylark
by Shelley

...Like a glow-worm golden

In a dell of dew,

Scattering unbeholden
Its aërial hue
Among the flowers and grass which screen it from the view:
Like a rose embower'd
In its own green leaves,
By warm winds deflower'd,
Till the scent it gives
Makes faint with too much sweet those heavy
wingèd thieves...


Thomas Love Peacock by Henry Wallis

Thomas Love Peacock who satirized both Byron and Shelley in his brilliant Nightmare Abbey, his style of writing is so gorgeous and highly original I often pray he was still alive so I could badger him into revealing his secrets. His novel was written as conversation set around a large dining table in a country house. The text is loaded with humour, witticisms, and near genial satire. He had a great deal of affection for Shelley. That much was evident even in the roasting/lampooning nature of the text. In fact, Peacock counted on Shelley’s good nature for support once the novel was published. Shelley did not disappoint. No such kindness was extended to Byron to the point he was damn near cruel. These words he credited to Byron, whom he cast as Mr Cypress in his manuscript and there is no doubt it was meant to sting.

“Sir, I have quarrelled with my wife; and a man who has quarrelled with his wife is absolved from all duty to his country. I have written an ode to tell the people as much, and they may take it as they list.”


My love, my care,
Simone