A Deconstruction of my Process

For sometimes, a rival is necessary in order for there to be a proper conflict.

William-Adolphe Bouguereau's Dante and Virgil in Hell

I often read novels in which the hero or heroine is set to marry or believes themself in love with some poor rotten-to-the-core one-dimensional character who will later be dismissed as unworthy for the lead. This works quite well and is an accepted standard but I have to write what I know and I simply am not able to write that.

Especially, not when I know for certain that most people are governed by a core that leans towards complexities and that no one person is just one thing. We are, all of us, layers carved out of our life's experiences and I’m mindful of this when I create all my characters particularly the rival.

I want it believed that my sensible hero/heroine, before the lead comes along and lays claim to their heart, made sense as a part of their life. I put forth an honest effort to make this person is made relevant and though they are set firmly aside for the lead, they are properly fleshed out for the reader to experience.

Whether they be a dull country gentleman, a villainous fiend or decent fellow I make it a point to spell out their core and motivation without them having takeover the role of the primary characters.

It's Christmas Eve and you have my very best wishes,

♥ Simone.